Pro Sound Effects Blog

Star Wars Sound Design Explained by Ben Burtt

February 17, 2021 by Julia Skubisz in Sound Design, Film Sound
Dive into the interstellar sound world of Star Wars with sound designer Ben Burtt.

The Sound of The Social Dilemma: Interview with Richard Gould

December 28, 2020 by Vinny Alfano in Interviews, Film Sound
Explore the process behind creating the detailed soundscape of The Social Dilemma.

Storytelling with Cinematic Sound Design

October 16, 2020 by Maddy Kong in Sound Design, Film Sound
How to tell your stories effectively and creatively with cinematic sound design.

Jurassic Park Sound Design Explained by Gary Rydstrom

August 26, 2020 by Maddy Kong in Sound Design, Film Sound
Dive into the iconic sound world of Jurassic Park with sound designer Gary Rydstrom.

Top 5 Mistakes all Beginner Sound Editors Make

February 25, 2020 by Korey Pereira in Film Sound, How-To
We all make mistakes. Use these tips to avoid the most common ones to jumpstart your career as a sound editor.

Top 8 Resources to Learn Sound Editing

August 08, 2019 by Natalia Saavedra Brychcy in Lists, Film Sound, How-To
Discover the best websites, books, and other resources to boost your sound editorial knowledge and advance your audio post career.

Top 5 Ways to Improve the Sound of Your Mixing Room

June 04, 2019 by Alex Gregson in Film Sound, How-To
Find out some of the most efficient ways to enhance the sound and feel of your studio.

Top 5 Tips to Prep Sound Editorial for Mixing

May 22, 2019 by Natalia Saavedra Brychcy in Film Sound, How-To
How to prepare your Pro Tools session for an efficient and easy mix.

Top 5 Tips for Networking as a Sound Artist

April 22, 2019 by Korey Pereira in Film Sound
Learn the best ways to build relationships with fellow sound artists and jump-start your career in post sound.

Hearing the Written Word: How the Sound Design of Hala was Inspired by the Script

February 14, 2019 by Andreas Russo in Interviews, Film Sound
Supervising sound editor Derek Vanderhorst talks about his approach to the sound design for Hala, working in ATMOS, and his experience on No Country For Old Men.